fbpx

Sudden Fiction Top 10

Sudden Fiction: Short List (Top 10)

Top 10 Sudden Fiction Entries
(titles listed in no particular order)

Comrade Brunnhilde
How Delilah Stops Feeding the Wolf Man
German Gypsum
Small Deceits
The Human Ikebana
Alien
Lion
The Rabbit God
Boys on Film
Emily Across the Lake

Congrats to those who made the Top 10. Commiserations to those who didn’t this time. The standard of entries was high. There were 135 entries in total (including Bursary and 50% Discounted categories). If you didn’t get through to the final 20 this time, pick yourself up, dust yourself off, and enter our Flash Fiction or Microfiction competitions, both deadlines set for 31st March 2023. The writers who make it to the ranks of the professionals are the ones who combine imagination, aspiration, determination and resilience.

The announcement of the 1st, 2nd and 3rd will happen on the News Page same time next week. So, pop back to see which stories win and what our judge Tara Laskowski has to say about them.

Sudden Fiction: Long List (Top 20)

Top 20 Sudden Fiction Entries
(titles listed in no particular order)

Lettuce
Guests From the Continent
Undertaking Dignity
Comrade Brunnhilde
Autumn Everywhere
Limbo
Dust
Daughters of Earth and Sky
How Delilah Steps Feeding the Wolf Man
Stevie’s Song
German Gypsum
20/20
Small Deceits
The Right Hand Girl
The Human Ikebana
Alien
Lion
The Rabbit God
Boys on Film
Emily Across the Lake

Congratulations to those who made the long list. Commiserations to those who didn’t this time. The standard of entries was high. There were 135 entries in total (including Bursary and 50% Discounted categories). If you didn’t get through to the final 20 this time, pick yourself up, dust yourself off, and enter our Flash Fiction or Microfiction competitions, both deadlines set for 31st March 2023. The writers who make it to the ranks of the professionals are the ones who combine imagination, aspiration, determination and resilience.

The announcement of the short list of 10 will happen on the News Page same time next week. So, pop back to see which stories made the cut.

Inspirational Flashes from Meg Pokrass

Follow the messy trail Readers always root for a character in love – whether the love object is the wrong person, a geriatric cat or a fake pearl necklace. Follow the trail of messy love wherever it leads, especially if it makes no sense.

Give them an embarrassing nickname What was a character’s embarrassment as a child? Don’t tell the reader what it is but keep it in mind while writing your story. Childhood embarrassment casts a long shadow.

Start with an odd detail Create a character from an obscure trait. How do they greet their cat? How do they button their coat? The great actor Laurence Olivier began by giving his characters a secret, physical defect or tick.

Harness your hurt Think of the worst things that ever happened to you, and inflict one of them on your main character – but change the details. Dismantle it. Disguise it. Make it even worse. Fiction is a great way to recycle what hurts!

Give your characters agency Readers don’t like woe-is-me characters who sit around feeling wounded and wallowing in it. They care about characters who pick themselves up, dust themselves down, and have another go.

Keep the sex subtle If you’re writing about a love affair, make sure the sex reflects the characters in all their complexity. Don’t hit us over the head with body parts.

Show a glint on glass Let your reader see it for themselves, via your use of specific detail and sensory information. As Chekhov said, “Don’t tell me that the moon is shining, show me the glint of light on broken glass”.

Torment your characters Provide them with a good deal of trouble. Don’t ever let them get there easily.

Have a (bit of a) laugh There’s something inherently ridiculous about a character in the grips of an apocalyptic dilemma or an uncontrollable passion. Keep the stakes high but let a ray of ironic humour shine through.

5 Tips on Writing Memoir

1. Forgive yourself

When setting out to write a memoir, it’s easy to waste a lot of time – or even to stop yourself completely – by listening to the internal voices that say, ‘Who do you think you are, writing all this about yourself? Whoever’s going to be interested?’ But there is absolutely no point trying to pacify the haters – including those that live inside your head. By definition, you’re writing for readers who are sympathetic to you. The haters didn’t even get past the title. There’s nothing people love more than fossicking through the details of other people’s lives – their family conflicts, their intimate triumphs.

2. Remember easily

The best exercise I know, for getting started writing about the past, is based on Joe Brainard’s 1970 memoir I Remember. In this charming cult classic, every widely spaced paragraph starts with the words ‘I remember’. The exercise is to pick one small part of your life – perhaps a place, perhaps a person – and to begin writing using Brainard’s form. Don’t worry about chronology. Just let each memory prompt the next. Leave the sorting out for later.

3. Be Sensational

When you’re trying to transport any reader into your story, whether it’s invented or true, you need to be specific. Not about dates and times, but about textures, smells, associations and physical reactions. It may seem trivial, but it makes a big difference whether you were wearing a grey or a red jumper when that life-changing news arrived. Unless you tell the reader it was red, they won’t know, and in their imagination, you’ll be wearing colourless clothes.

4. Be Quirky

Whilst writing my memoir, Wrestliana, I came across a useful concept: quirk historicism. It dates from the 2010s, and refers to ‘the recent tendency of music scholars… to avail themselves of objets trouvés and historical micronarratives’. In other words, going small in the writing, and letting the quirky detail stand for the whole. Bruce Chatwin’s In Patagonia is a great example of this. Here’s another example: My great-great uncle worked for years as a country vet in Shropshire, but you’ve already lost interest in him. However, he was also the first man in the world to fit a wooden leg on a cow.

5. Try Anything

My most recent memoir-type-thing is called A Writer’s Diary. It’s a year in my life and my life in a year. True but also fictional. I’m releasing an entry every day on Substack, and it will be published as a book by Galley Beggar Press on January 1st 2023. Looking back, I realise that I started writing a book before I knew it was a book. If I’d known, I probably never would have started. Sometimes the best, most intense writing you can do seems, at the time, to have no obvious outlet. You don’t even know that it is anything as recognisable as a memoir. It’s just words that seem important. But that freedom from expectation can open the way to unselfconscious new forms.

Q&A Interview with Roland Watson-Grant

Why did you agree to judge the Plaza Short Story Prize?

I am particularly excited to be selecting Short Story winners for The Plaza Prizes, especially since my own writing career started with an initiative like this one: the Lightship International Literary Prizes.

How important is it to spot new talents early in the Creative Industries?

The Plaza Prizes will no doubt be the birthplace of amazing new short stories from around the world, and I am happy to be among those judges helping to make this a reality. I can feel it already. Writing careers will be boosted here. Writers need to help other writers. 

What are you looking for?

Stories with a strong sense of time and setting, curated by a voice that pulls you along for the ride. Start strong. First lines must hook, judges need to keep reading. Good luck. Can’t wait to see the magic happen!

Do you have any advice for writers?

Write every day. Edit every day. Put your writing where it can be read.

Girl in a jacket

GET A FREE COPY OF OUR ANTHOLOGY

Sign up to our newsletter and get a FREE ebook of The Plaza Prizes Anthology.

Subscribe

* indicates required