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Memoir: First Chapters Winners

Memoir: First Chapters Winners

Top 4 Memoir: First Chapter Entries

Our judge, Nicole Treska, had this to say about the standard of entries, and the winners:

‘I was honored to judge the 2024 Plaza Memoir: First Chapters Prize. This year’s finalists transported me from my apartment in Harlem to beachfront hotel rooms under terrorist attack in Sri Lanka, and a somehow almost-as-menacing middle school lunchroom in England. Each of these submission displayed ruminations on memory, societal and personal illnesses, mortality and grief—all our eternal sources. At the same time, I saw these writers grapple with our modern maladies—financial instability, class and race status, and the failures on the systems we depend upon. This combination of created a rich reading experience, and much hope for the future of the genre.

‘It is no small feat to commit our searching questions, our fears and faults, to the page and share them with others, let alone in ways so thoughtful, funny, sad and hopeful. I applaud each contestant for the bravery to tell their story whole, as well as all of our contestants. Thank you for your work and congratulations.’

1st-Enter the Dragon Lady by Jude Ho (ENG)
‘I absolutely loved Enter the Dragon, and the way the author sets a scene, and executes her points with exacting language. The piece is sad and funny and probes at the underbelly of racism, assimilation, and the childhood need to fit in. I was moved by lines like: “But, aside from having face that is flat or yellow or wonky, I’m not sure what being Chinese really is. It’s a bit like being ugly, but heavy too, weighed down by something that I can’t see and don’t understand.” Looking forward to our Zoom meeting to discuss my one question: Do we need the survival myth?…(my initial suspicion is no.)’

2nd-Nobody Walks In America Anymore by Nazir Yacoob (MAL)
‘I loved this big adventure! NWiA is executed with a fine attention to detail, and skillful pacing and narration, I was so impressed with both the content of this excerpt, and the execution. I thought the development of scenes within the larger narrative were expertly handled, no small feat. I want to read this book.’

3rd-True Story of a Circus Freak by Rebecca Plume (ENG)
‘I wanted to keep listening to TSoaCF after the piece ended.The authors storytelling style showed a child learning about the world in ways that were original and entertaining, even when discussing the heavy or painful realizations that children often have about others and themselves.There is a wisdom in our narrator and her child self that is evident, ePlaven when the narrative seems light and fun. Sue Maroo Goes for a Walk is such an excellent chapter and example of this. The way that story encapsulates the author/book’s world—her influences, her language and lessons—quite masterful.’

4th (Highly Commended)-The Drive-In by A. Sincic (USA)
‘I loved the language in this story, and I especially loved the way the author drew scenes. The dialogue and details created a family I could see on the page. I found the syntax exciting, and really enjoyed it…funnily enough, my two editorial comments have to do with these two aspects I enjoyed so much. I think the current passage leans too heavily on dialogue, and some of it isn’t communicating enough important intel…I’d cut back, there! Also, the syntax, perhaps my favorite aspect of this piece- is very dense in the first few pages…it relaxes into more natural story-telling a few pages in, and I would suggest giving those first few pages the same space to breathe. I think tightening and lightening here and there will do wonders for this wonderful family story.’

Congrats to our winners! The winner will get mentoring from Nicole on their work. And £1,500. Not a bad prize.

Speaking of which – We have an unbeatable world class opportunity to shine. ENTER the NEW 2024 Plaza Literary: First Chapters Prize (5000 words max). OPEN NOW. Judged by US National Book Award Winner, Jason Mott. 1st prize: £1,500. Deadline: 31st July 2024.

Crime: First Chapters Winners

Top 4 Crime: First Chapter Entries

Our judge, David Mark, is a master of the Crime genre. He has written eight novels in the McAvoy series: Dark Winter, Original Skin, Sorrow Bound, Taking Pity, Dead Pretty, Cruel Mercy, Scorched Earth and Cold Bones as well as two McAvoy novellas, A Bad Death and Fire of Lies, which are available as ebooks. His first historical thriller, The Zealot’s Bones, is out now. Praise for his novels:-

“Effortlessly blends the brutal and the tender, the dark and the light. Aector McAvoy is a true original. So is David Mark.”
Mick Herron, author of Dead Lions

“More twists and turns than a corkscrew through the eyeball.”
Val McDermid

“There is a good array of villains, and Mark is impressive in his sensitive portrayals of the relationships between the principal characters at work and home.”
The Times

David had this to say about the standard of entries:

‘Well, I have mixed feelings. On the plus side, there are lots of wonderful writers coming through. On the flip side, there’s only so much shelf space. There’s nothing a mid-list writer likes more than being given a glimpse at the people who are going to replace them! So, thanks for that. But in all seriousness, it’s been an honour to peer into some fantastically warped imaginations and to see that the art of good story-telling will be okay in the event of my untimely demise. Thanks to your entries I’ve delved into worlds of darkness, radiance, hope, redemption and taken a veritable trans-global journey into some exquisitely realised locations.’

What follows are David’s comments on the winners:-

1st place: Dead in the Water by Jude Simms

‘I adored this submission, bringing together the Holy Trinity of Plot, Place and Character in a way that should have agents salivating. It’s a remarkable self-assured piece of writing for a debut novelist and does a wonderful job of creating a richly textured landscape, using a gorgeously lyrical prise style to build a world which drew me in and held me prisoner. Historical crime fiction is such a difficult thing to get right, with the temptation to show off one’s impeccable research often getting in the way of character development and plot momentum. This sample found the perfect balance, as it did with its depictions of both the darkness and the light. A brilliant read.’

2nd place: Dutch Courage by Camilla McPherson

‘An exquisite piece of writing. The setting of the English bookshop was an inspired place to start and the way the writer brought the scene to life, lingering on those little details and elegances … it felt like a book by a writer who has been selling books in great numbers for a long time. There were echoes of such great literary talents as Helen Dunmore and Pat barker in the prose style, yet the narrative voice felt fresh and unique. I reached the end of the submission with an audible grunt of annoyance as I was already emotionally connected to the story and quite happy to forego the rest of my day in favour of reading the rest of it.’

3rd place: Neon Ghosts by K R Goto

‘Publishers don’t always know what they want, but they do seem to know what they’re afraid of. That being the case, it takes a brave author to embark upon a novel that is so gleefully far from the mainstream. It felt like nothing I had read before, which is something I so rarely get the chance to feel. A queer, feminist psychological drama set in Tokyo, and featuring a high-achieving special forces agent turned high-functioning addict with PTSD? It’s high-concept from the opening scene, but it feels fresh, real and thoroughly authentic. Moreover, it felt like a potential BookTok mega-hit, which is a phrase that should get even the most fearful commissioning editor picking up the phone. I enjoyed every word.’

Highly Commended (4th): Death Assured by Keith Porter

‘A tough, uncompromising and thoroughly compelling journey into an ugly, brutal world. I loved it! There’s a cleverness to the structure and a sense that the writer is thoroughly enjoying themselves, unspooling the story with a deft touch. Depicting serial killers and gangsters so often descends into caricature and pastiche but the characters here all felt fully realised and three-dimensional: deeply flawed, but human. The synopsis suggests that this is going to be an ambitious undertaking but the writer seems thoroughly equal to the task. British gangster noir has been under-represented in recent years. That may be about to change.’

Congrats to our winners! We hope you’ll agree – that’s some high praise from a judge.

ENTER the NEW 2024 Plaza Literary: First Chapters Prize (5000 words max). OPEN NOW. UNBEATABLE, WORLD CLASS OPPORTUNITY TO SHINE! Judged by US National Book Award Winner, Jason Mott. 1st prize: £1,500. Deadline: 31st July 2024.

The Plaza Poetry (60 lines max) Long List

Top 20 Poetry (60 lines max) Entries
(titles listed in no particular order)

A Barrel for My Body and a Hare for My Head

An Elegy for the O2 Ogre

Secondhand High

Gazcue: Socorro Sanchez con Santiago

The First Rastaman in Space

The Things That Come For You

My Great Grandfather’s Apron Shop

The Long Before

Sea of ambition

Collectors of Urban Corpses

Tick the box that most describes you

Emendations on Red

Things Fall Down

Home Again

Speed-dating but I Sat Down Opposite a Grave-digger

The Verdict

Landswept

Seven shirts

46 Years Between Februarys

Grote Mandranke

Congrats to the 20 poets who made the long list. The standard of entries was really impressive and it was difficult to separate the very good from the excellent on this competition. There were 548 entries in total (including Bursary and 50% Discounted categories).

Thanks for your patience. The announcement of the shortlist of 10 will happen on the News page end of next week. The final 10 will be published in The Plaza Prizes Anthology 2. So, pop back to see which made the cut. 

The NEW 2024 Plaza Poetry Prize (40 lines max) is open to enter. Judge: Moniza Alvi. 1st prize: £1,000. Deadline: 31st May 2024.

Memoir: First Chapters Shortlist

Top 10 Memoir: First Chapter Entries
(titles listed in no particular order)

The Drive-in

Definitely Not One of the Guys

Why Hummingbirds Don’t Get Diabetes

Pineapples Don’t Have Sleeves

The True Story of A Circus Freak

I Didn’t Expect To See You on a Bike

My Life With Eggbert

Nobody Walks in America

Annie

Enter the Dragon Lady

Congrats to the 10 writers who made the shortlist.

The announcement of Top 3 winners and a Highly Commended will happen on the News page next week. So, pop back to see which made the cut.

The NEW 2024 Plaza Short Story Prize (5000 words max) is open to enter. Judged by Vanessa Onwuemezi. 1st prize: £1,000. Deadline: 30th April 2024.

Memoir: First Chapters Long List

Top 20 Memoir: First Chapter Entries
(titles listed in no particular order)

Little Haven in the Woods

Abanna

How They Kept Geronimo in a Cage

Ways of Not Seeing

The Drive-in

Definitely Not One of the Guys

Why Hummingbirds Don’t Get Diabetes

Pineapples Don’t Have Sleeves

The True Story of A Circus Freak

I Didn’t Expect To See You on a Bike

My Life With Eggbert

Nobody Walks in America

Annie

The Trail Home

Enter the Dragon Lady

Glass Child

Accidental Burns

St. Francis and Four Kids

This Rocking Life

Losing Art

Congrats to the 20 writers who made the long list. The overall standard of entries was good. There were 92 entries in total (including Bursary and 50% Discounted categories).

The announcement of the shortlist of 10 will happen on the News page next week. So, pop back to see which made the cut. 

The NEW 2024 Plaza Short Story Prize (5000 words max) is open to enter. Judged by Vanessa Onwuemezi. 1st prize: £1,000. Deadline: 3oth April 2024.

Crime: First Chapters Shortlist

Top 10 Crime: First Chapter Entries
(titles listed in no particular order)

Black Gully

The Good Friend

Dead in the Water

Red

Dutch Courage

Smiler

The Green Line

Death Assured

Neon Ghosts

The Murder Factory

Congrats to the 10 writers who made the shortlist.

The announcement of the winners and a highly commended will happen on our News page next week. So, pop back to see which made the cut. 

The NEW 2024 Plaza Short Story Prize (5000 words max) is open to enter. Judged by Vanessa Onwuemezi. 1st prize: £1,000. Deadline: 3oth April 2024.

Crime: First Chapters Long List

Top 20 Crime: First Chapter Entries
(titles listed in no particular order)

An Inquest of Eels

Vindincta

A Dead Hatless Texan

Secret Works

Black Gully

The Good Friend

Dead in the Water

Red

Dutch Courage

Smiler

The Green Line

Death Assured

Neon Ghosts

The Murder Factory

The Man in the Clear

Last Train to Medicine Hat

Taste of Fear

Requiem For A Lotus

Dark Horse

Kentucky Blood

Congrats to the 20 writers who made the long list. The overall standard of entries was fair. There were 70 entries in total (including Bursary and 50% Discounted categories).

The announcement of the shortlist of 10 will happen on the News page next week. So, pop back to see which made the cut. 

The NEW 2024 Plaza Short Story Prize (5000 words max) is open to enter. Judged by Vanessa Onwuemezi. 1st prize: £1,000. Deadline: 3oth April 2024.

Carrie Etter Interview

The Plaza Prizes: An Interview with Judge and Poet, Carrie Etter

Helen Pletts, Second Prize winner in the Prose Poetry Competition 2022-23,The Plaza Prizes, in conversation with Carrie Etter, who is the Prose Poetry Competition Judge for 2023-24.

Carrie is an American poet, originally from Normal, Illinois, who has lived in England since 2001. She has published four poetry collections: The Tethers (Seren, 2009), winner of the London New Poetry Prize, Divining for Starters (Shearsman, 2011), Imagined Sons (Seren, 2014), shortlisted for the Ted Hughes Award for New Work in Poetry, and The Weather in Normal (Seren, 2018), a Poetry Book Society recommendation. Her fifth collection, Grief’s Alphabet, is forthcoming from Seren Books in April.

Her poems have appeared in Boston Review, the Iowa Review, The New Republic, The New Statesman, The Guardian, The Penguin Book of the Prose Poem, Poetry Review, The Rialto, Shenandoah (US), Westerly (AUS) and The Times Literary Supplement. She also edited the anthology Infinite Difference: Other Poetries by UK Women Poets (Shearsman, 2010), a TLS Book of the Year, and Linda Lamus’s posthumous collection, A Crater the Size of Calcutta (Mulfran, 2015). She has received grants from the Society of Authors and Arts Council England and also publishes short stories, essays and reviews. After eighteen years teaching at Bath Spa University, in 2022 she joined the creative writing faculty at the University of Bristol.

1. Why poetry? Tell us about that first spark to getting you hooked? Early influences?

I began writing poetry outside of school at the age of 11, but only really began reading poetry widely four years later, when I accidentally found the literary magazine collection at the university library. I was there to do research for the debate team, ended up on the wrong floor, and voila! The first poetry collections I remember buying were Adrienne Rich’s The Dream of a Common Language and Linda Gregg’s Too Bright to See, and as Gwendolyn Brooks was Illinois Poet Laureate while I was in high school, I encountered her work then as well.

Why poetry? Its distillation, its intensity, its play of language and technique. It’s where I go to understand myself and the world.

2. How does an American poet, with four collections to date, come to be in the UK?

I was finishing my PhD in Victorian fiction for the University of California, Irvine, and I came to the British Library to research for and write my thesis. I thought I’d just be here for a year or two, but on finishing my PhD in 2003, I was hired to teach part-time at the University of Hertfordshire, and the following year Bath Spa University offered me a permanent post.

3. Your fifth collection,Grief’s Alphabet, due from Seren Books in April 2024, is about your relationship with your mum and her unexpected loss. Can you give us a highlight, focussing on a few key lines?

Grief’s Alphabet is essentially a memoir in poetry, relating in the first section our relationship, showing what we experienced as a family, to her unexpected death and the immediate aftermath in the second section, to the long work of mourning in the last section. Here’s one key line: ‘Lifelong I daughter.’

4. You’re a member of the creative writing faculty at Bristol University, your home from home, how do you find life as an expat? Whose poetry are you reading and/or teaching currently?

Life as an expat is strange in that I feel neither English nor American, but here people always regard me as American and in the US people seem to regard me as ‘other’ somehow because I live abroad. This week I was teaching the work of another expat, Mary Jean Chan, and I’m reading Joyelle McSweeney’s incredible Toxicon and Arachne.

I also routinely teach an online prose poetry course, Reading to Write Prose Poetry, where each week for five weeks we look at prose poems by a particular poet and try a writing exercise arising in some way from the work. Teaching online allows me to reach a wider base–in my last class there were participants based in Greece, Australia, and the US.

5. Have you any future writing projects in mind that you hope to achieve?

Quite a few! I’m currently editing Claire Crowther’s Sense and Nonsense: Essays and Interviews for Shearsman Books and working on a short story collection. There are more I have in mind, but I’ll stop there.

6. What will you be looking for as the Prose Poetry Competition Judge? What do you love about Prose Poetry?

Whereas lineated poems require some kind of trajectory or progression, prose poems inhabit a single idea, feeling, or mood, and I love that prose poetry can provide another vehicle for poetry, just as other forms do. I’ll be looking for prose poetry that shows awareness of the kind of cohesion a successful prose poem requires and fresh imagery.

7. Can we hear about your favourite things, I know you love cats?

My loves beyond writing, teaching, and reading include cats and cooking–the evidence is on Instagram.

8. Who is the author of your current bedside book?

I don’t keep books on my bedside, but I’m currently listening to The Seven Moons of Mali Almeida by Shehan Karunatilaka, which won the Booker Prize last year. It’s outrageously inventive, brutal, and funny.

Short Story (8000 words max): Winners

Top 4 Short Story Entries

All the comments below are from our judge, Remy Ngambije.

1st place: The Two Things Bassie Knows” by Clayton Bradshaw-Mittal (USA)

“The Two Things Bassie Knows” juggles trivia competition, fluid sexuality, and the looming nature of death masterfully. It is highly amusing in parts, keenly observant in others, and wonderfully entertaining throughout. It is a really good exploration of what people are willing to put up with for company and companionship. This was my top story throughout the readings. I really think it offers something different to all of the others which felt…overcooked! This one had the sensation of street food: chopped up, fried up quick, and served piping fucking hot. And, man, it was funny. Like, genuinely funny.

2nd place: Demons & Monkeys by Tamako Takamatsu (JAP)

“Demons And Monkeys” navigates the point of collision between tradition and modernity using a marital tale set in Japan. Its language is tight, its plot hints at the enormity of history and the clash of cultures pushing against each other. But it is its careful descriptions of a Japanese husband and wife that really makes the story sing off the pages. What I think works in this story is the marriage and the conflict between husband and wife. She is, I think, the more interesting character between the two. I mean “I am the daughter of samurai” is a killer line (it should be the title, I think). But, really, this was an enjoyable short story.

3rd place: “Dick and George” by Terry Watada (CAN)

“Dick And George” follows two Japanese-Canadian cousins—both children of immigrants—through their migration around Canada, the advent and conclusion of the Second World War, and the gradual assimilation into Canadian society. At its core, painful losses punctuate the passage of time; in its telling, an epic story of cultural assimilation and all of its attendant struggles comes to the fore. This was a really good story about migration. Even if I think Canada is the most meh of places for stories; I am yet to encounter one that really gets my blood boiling.

Highly Commended: A Resurrection in Soap by Matthew Hurt (MEX)

“A Resurrection In Soap” is an interesting take on the artist’s desire for self-actualisation, to transcend the medium that brings them fame, and to carve an independent identity. It has a tightness to it that is enviable—the way the writer carves this narrative from the rest of the storytelling canvas is skillful and the reading experience is fresh and rewarding. I think this one deserves a mention because it was well-written and explored the monotony and comfort of being a soap actor well.

Congrats to the winning writers.

The Plaza Short Story Prize (5000 words max) is judged by Vanessa Onwuemezi. ENTER NOW. 1st prize: £1,000. Deadline: 30th April 2024.

The NEW Plaza Flash Fiction Prize (1000 words max) is open to enter. Judged by the brilliant David Gaffney. 1st prize: £1,000. Deadline: 31st March 2024.

Short Story (8000 words max): Shortlist

Top 10 Short Story Entries
(titles listed in no particular order)

One Last Mad Chance

The Two Things Bassie Knows

Appetite

Saturday Afternoon in the Museum of Thought

Dick & George

Sashimi

A Visitation of Glory

Johnny

Demons & Moneys

A Resurrection in Soap

Congrats to the 10 writers who made the long list.

The announcement of the winners will happen on the News page next week. So, pop back to see which stories made the final cut. 

The NEW Plaza Flash Fiction Prize (1000 words max) is open to enter. Judged by the brilliant David Gaffney. 1st prize: £1,000. Deadline: 31st March 2024.

Girl in a jacket

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