fbpx

Paul Farley

MULTI-AWARD-WINNING JUDGE

Paul Farley: Poet, Writer and Broadcaster

Early Life and Education

Paul Farley was born on September 9, 1965, in Liverpool, England. Growing up in the culturally rich and diverse city of Liverpool, Farley was immersed in a vibrant community that would later influence his poetic voice. His early experiences in this dynamic environment are often reflected in his work, which captures the essence of urban life and the human condition.

Farley attended the University of Leeds, where he studied English and found his passion for poetry. His time at university was formative, providing him with both the academic foundation and the creative inspiration to pursue a career in writing.

Career and Achievements

Farley’s professional career began in earnest in the 1990s. He quickly gained recognition for his distinctive voice and innovative use of language. His first collection of poetry, “The Boy from the Chemist is Here to See You,” was published in 1998 to critical acclaim. This debut won several prestigious awards, including the Forward Prize for Best First Collection, marking Farley as a significant new talent in British poetry.

Following this early success, Farley continued to build his reputation with subsequent collections. “The Ice Age,” published in 2002, further established his standing in the literary world, earning him the Whitbread Poetry Award. His third collection, “Tramp in Flames” (2006), was shortlisted for the Griffin Poetry Prize and reinforced his position as a leading contemporary poet.

In addition to his poetry, Farley has made significant contributions to the broader literary and cultural landscape. He has written extensively for radio and television, showcasing his versatility as a writer. His work often explores themes of memory, history, and place, resonating with a wide audience.

Teaching and Influence

Farley’s impact extends beyond his published work. He has held several academic positions, sharing his expertise and passion for poetry with students. His teaching roles have included positions at the University of Lancaster and the University of Oxford, where he has inspired a new generation of poets and writers.

Farley is also known for his editorial work and involvement in literary festivals and events. He has served as a judge for various literary awards, contributing his keen eye for talent and deep understanding of contemporary poetry.

Personal Life

Despite his public success, Farley remains a private individual, often shying away from the limelight. He continues to live in the UK, where he balances his writing and teaching commitments with a quiet personal life. His dedication to his craft and his ability to capture the essence of everyday experiences in his poetry have earned him a loyal readership and a respected place in the literary world.

Legacy

Paul Farley’s work is characterized by its lyrical beauty, keen observation, and emotional depth. His contributions to contemporary poetry and his influence as a teacher and mentor have left a lasting impact on the literary community. As he continues to write and engage with the world of poetry, Farley remains a vital and influential voice in British literature.

ENTER The Plaza Audio Poetry Prize. Judge: Paul Farley. 1st Prize: £1,000 (US$1250). Deadline: 31st June 2024.

US NATIONAL BOOK AWARD WINNING JUDGE

US NATIONAL BOOK AWARD WINNER

Jason Mott is an acclaimed American author known for his compelling and imaginative works of fiction. Born and raised in Bolton, North Carolina, Mott developed an early love for storytelling, which he pursued with great passion and dedication. He earned a Bachelor of Fine Arts in fiction and a Master of Fine Arts in poetry, both from the University of North Carolina at Wilmington.

Mott’s breakout novel, “The Returned,” was published in 2013 and quickly garnered widespread attention. The book tells the story of a small town where deceased loved ones suddenly start returning, causing profound emotional and social upheaval. The novel’s unique premise and poignant exploration of grief and human connection struck a chord with readers and critics alike, leading to its adaptation into the television series “Resurrection” by ABC.

Following the success of “The Returned,” Mott continued to make his mark in the literary world with several other novels, including “The Wonder of All Things” (2014) and “The Crossing” (2018). His writing often blends elements of the fantastical with deep, emotional narratives, creating stories that are both thought-provoking and deeply human.

In 2021, Mott released “Hell of a Book,” a novel that garnered significant acclaim and earned him the National Book Award for Fiction. The book is a meta-fictional journey that intertwines the story of an African American author’s book tour with the tale of a young Black boy named Soot navigating life in the contemporary South. “Hell of a Book” was praised for its inventive structure, emotional depth, and insightful commentary on race and identity in America.

In addition to his novels, Mott has also written poetry, short stories, and essays, showcasing his versatility as a writer. His work has appeared in various literary journals and anthologies, further establishing his reputation as a significant voice in modern American literature.

Jason Mott’s career is marked by his ability to blend the extraordinary with the everyday, creating narratives that resonate on both an emotional and intellectual level. His contributions to contemporary fiction continue to be celebrated by readers and critics alike.

ENTER The Plaza Literary: First Chapters Prize. Judge: Jason Mott. 1st Prize: £1,500 (US$1750). Deadline: 31st July 2024.

Hell of a Book

THE TITLE SAYS IT ALL – RECOMMENDED READING

Hell of a Book, the US National Book Award-winning novel by Jason Mott, is a mesmerizing and poignant exploration of race, identity, and the power of storytelling. Mott deftly navigates between humor and heartbreak, creating a narrative that is both deeply engaging and thought-provoking.

The novel’s protagonist is a Black author on a cross-country book tour for his successful novel, also titled Hell of a Book. His journey is interspersed with the story of a young Black boy named Soot, who is navigating life in a racially charged environment. As the lines between reality and fiction blur, the narrative becomes a profound commentary on the Black experience in America.

Mott’s writing is both vivid and lyrical, capturing the reader’s attention from the first page. The author’s ability to weave together different narrative threads and timelines showcases his storytelling prowess. The characters are richly developed, with the protagonist’s witty and sometimes surreal observations providing a stark contrast to the more somber, introspective moments involving Soot.

One of the novel’s most striking features is its exploration of the psychological impact of racism. Mott delves into the trauma and invisibility felt by Black individuals, portraying these themes with sensitivity and depth. The recurring motif of “the invisible boy” is particularly powerful, symbolizing the erasure and marginalization of Black lives.

Despite its heavy themes, Hell of a Book is infused with humor and a sense of hope. Mott balances the narrative’s darker elements with moments of levity, making the story accessible and relatable. This blend of humor and gravity ensures that the novel resonates on multiple levels, inviting readers to reflect on their own experiences and perceptions.

In conclusion, Hell of a Book is a masterful work that challenges and entertains in equal measure. Jason Mott has crafted a novel that is both a searing social commentary and a celebration of the transformative power of storytelling. It is a book that cannot be forgotten, demands to be read, and discussed.

ENTER The Plaza Literary: First Chapters Prize. Judge: Jason Mott. 1st Prize: £1,500 (US$1750). Deadline: 31st July 2024.

X Connects & Retweets

Not Big on X

I haven’t been a big fan of X or its previous incarnation, Twitter, and therefore our presence on this social medium has been slight up ’til now. Neither my mistrust of this medium or the fact that I come from the Cretaceous period with regard to social media, should be getting in the way of us promoting poets’ and writers’ achievements. So, with this in mind, we will be upping our presence on X, and would appreciate it mightily if Plaza-Prizers would help us by retweeting posts.

Must do better. So will do better.

The Plaza Prose Poetry Winners

Winning Entries

Here’s what our judge, Carrie Etter, had to say about our winners:-

First prize: Heidi Kasa (US)
‘The Bullet Renames’ is one of the most moving, inspired prose poems I’ve read in years. It balances intelligence and poignancy in its deft use of anaphora and paragraphing, resulting in a poem I wish I’d written myself. I can’t help but anticipate that this poem will appear in a critically acclaimed collection before long.

Second prize: Abigail Ottley (ENG)
‘A survivor dreams a new career’ exhibits both an impressive sense of voice and linguistic precision in a most original prose poem. The movement and balance between the two paragraphs is deftly handled, and the ending imperative is perfectly judged.

Third prize: Róisín Legett Bohan (IRE)
‘anticipation of anaphylaxis’ is raw and moving in its evocation of grief. Its variation in sentence structure supports the poem’s momentum beautifully.

Highly Commended: Neil Douglas (ENG)
‘While I am away’ seems a casual account, but the quality of detail and management of pacing show an intelligent appreciation of prose’s pace and poetry’s imagery. The bathos of the ending is humorous and well judged.

Congrats to the poets who made the final cut! All 10 shortlisted will be published in The Plaza Prizes Anthology 2.

LAST CALL. The NEW 2024 Plaza Poetry Prize (40 lines max) is open to enter. Judge: Moniza Alvi. 1st prize: £1,000. Deadline: 31st May 2024.

The Plaza Flash Fiction Shortlist

Top 10 Flash Fiction Entries
(titles listed in no particular order)

The Mouth of The Word

The Dead Fox Around Her Neck

The Terrarium

Kerouac’s Next Chapter

Dark Cousin

3AM

Quiet Quiet Quiet

Marvins

The Gartcosh M73 Interchange is not Noted for its Proximity to Fjords

Mille Feuille

Congrats to the 10 writers who made the shortlist. They will be published in The Plaza Prizes Anthology 2.

The NEW 2024 Plaza Poetry Prize (40 lines max) is open to enter. Judge: Moniza Alvi. 1st prize: £1,000. Deadline: 31st May 2024.

The Plaza Microfiction Prize Winners

Top 4 Microfiction Entries
(titles listed order)

All the comments in quotes below are from our judge, Meg Pokrass.

‘It was great to see the many wonderful examples of great microfiction represented in the The Plaza Prize, and to be reminded of what we long for when we turn to a story, no matter how tiny. It is the feeling of becoming alive in a new body— the moment when someone else’s way of seeing the world becomes a real place inside our minds. Every microfiction story on The Plaza Prize Microfiction contest shortlist was memorable, making it painful to choose, but in the end, these 3 winning stories swept me off my feet and I found it impossible to resist their narrative charms.’

WINNER
TINY SPINES
CONOR MCANALLY (ENG)

‘The winner, “Tiny Spines”, is a story that I couldn’t unglue from my thoughts. Stories of such a tragic subject matter are notoriously tricky and often an author will lean toward sentimentality, but here the author relied on their gift with emotional detail and the payoff was big. I admire how the narrative is built from a character’s specific reactions to an object, and the way their view of that object changes from silly and light to profound and tender. I found the story to be quietly haunted and super-charged from the inside out, with an expert eye on life’s ordinary beauty. This was a story I could not turn away from, as if it selected me as much as I selected it. A stunning story.’

SECOND
WHERE THEY HIDE
KELLI SHORT BORGES (US)

‘“Where They Hide” is a seemingly simple story about how childhood vulnerability can scar us for life. Here, we’re shown the tenuous landscape of a child and treated to a personal vision of a landscape filled with both familiar and unfamiliar “snakes”. A marvelled at their exquisite use of language, and the creative way the story unfolds as told through a child’s perspective. The writer trusts the reader implicitly, and without hitting us over the head with who the real snake is, it becomes clear that this child will be brutally struck.’

THIRD
HEAD IN THE CLOUDS
CHRIS COTTOM (ENG)

‘“Head in the Clouds” is a surreal delight. In this innovative piece of writing a group of neighbourhood dads become grotesques of their careers. The author shows us that life in a community is complicated, no matter how friendly it seems, and we’re treated to the crazy world of overly-enthusiastic males trying to out-do each other in the ways they know, and as shown through the child’s perspective. Hilariously weird and darkly funny— I wanted to read this story again and again.’

HIGHLY COMMENDED
HOW TO CATCH LAMPUKI
FIONA DIGNAN (ENG)

‘“How to Catch Lampuki” is filled with internal conflict and told with urgent attention to sensory detail. The effect left me breathless. A young woman’s feelings of darkness about her upcoming marriage are explored by her observations of her fianace, father and the village men catching and graphically killing lampuki in the particular way they do it. The metaphor for what men do to women is brilliantly explored.’

Congrats to the winners. They will be awarded their prizes at our awards ceremony in Malta in October 2024, and published in The Plaza Prizes Anthology 2.

The NEW 2024 Plaza Poetry Prize (40 lines max) is open to enter. Judge: Moniza Alvi. 1st prize: £1,000. Deadline: 31st May 2024.

The Plaza Prose Poetry Shortlist

Top 10 Prose Poetry Entries
(titles listed in no particular order)

‘Anticipation of Anaphylaxis’

‘While I am away’

‘Tastes like a toothache’

‘A survivor dreams a new career’

‘Tonight you are pregnant and your fetus has a gun’

‘The Bullet Renames’

‘Covenant’

‘Letter to a Lifeguard’

‘Speculations and Propositions on Footwear from the Cordwainers’ Descendent’

‘The night-sea defeats my PTSD tinnitus’

Congrats to the 10 prose poets who made the shortlist, and will be published in The Plaza Prizes Anthology 2.

The announcement of the winners will happen on the News page end of next week. So, pop back to see which made the final cut.

The NEW 2024 Plaza Poetry Prize (40 lines max) is open to enter. Judge: Moniza Alvi. 1st prize: £1,000. Deadline: 31st May 2024.

The Plaza Microfiction Shortlist

Top 10 Microfiction Entries
(titles listed in no particular order)

Animals

Head in the Clouds

How to Catch Lampuki

Hungry Like the Wolf

Love Spines

#KarmaJudgementDay

Marcus Aurelius Has a Bad Haircut

Solstice

The Hanging Suit

Where They Hide

Congrats to the 10 writers who made the shortlist. They will be published in The Plaza Prizes Anthology 2

The announcement of the winners will happen on the News page next week. So, pop back to see which stories made the cut. 

The NEW 2024 Plaza Poetry Prize (40 lines max) is open to enter. Judge: Moniza Alvi. 1st prize: £1,000. Deadline: 31st May 2024.

The Plaza Flash Fiction Prize Winners

Top 4 Flash Fiction Entries
(titles listed in order)

Thanks to our judge this year, David Gaffney. All comments listed below are his.

‘All in all a very high quality set of entries and I thank The Plaza Prizes for asking me to be the judge.’

1ST
MARVINS
SHERRY CASSELLS (CAN)

‘The winner, Marvins, starts out as a kind of hyper-ironic dismantling of creative writing story structure and character development but ends up delivering a fascinating prose-poetry style meander with many compelling images and ideas, reminding me of the work of M John Harrison and experimental writers like that. Some great lines such as “She pictured Marvins finding her in the chair on the porch with a purple-edged hole in her chest from where her hearts had finally leapt.”’

2ND
THE DEAD FOX AROUND HER NECK
TODD MURPHY (ENG)

‘My second choice is The Dead Fox Around Her Neck – I loved the way the dead fox brought her into contact with different people and seemed to influence her decisions throughout the story, so we really never know what she is going to do where she going to go or what she is going to think next. A great ending which points the reader towards an alluring unknown set of actions in the future which are undecipherable in a good way – “I closed my eyes for a while. I carried on walking, blind. It felt good to be uncertain of where I was going.”‘

3RD
3AM
SHERRY CASSELLS (CAN)

‘Coming in a strong third is 3AM. It’s about dreams – and although it’s often really dull hearing someone recount their dreams because nothing is at stake in these stories, nothing can be predicted and nothing means anything really – but in this story it’s how dreams relate to the two characters and how they in turn relate to the real world and the dream world. Some amazing lines in this one like this “I remember the urge to get drunk with the red-faced old men who would half-see the half-sing across sticky tables, their eyes resting on invisible things like cats do, like my father did, until his eyes went from watery to acute…”’

HIGHLY COMMENDED
DARK COUSIN
ROGER VICKERY (AUS)

‘And my fourth choice is Dark Cousin. I’m a little perturbed by the title but nevertheless its theme of old fashioned analogue photography and the way chemicals make images appear out of nowhere on light sensitive paper is a rich metaphor which the writer employs well and there are great lines in it “I wish I could as easily, dark cousin, poured developer across the negatives beneath your surface.”’

Congrats to these writers, who will be awarded their prizes at our second awards ceremony in Malta, in mid-October, 2024. They will also be published in The Plaza Prizes Anthology 2.

The Plaza Poetry Prize (40 lines max) is open to enter. Why not experiment with a different form? Judge: Moniza Alvi. 1st prize: £1,000. Deadline: 31st May 2024.

Girl in a jacket

GET A FREE COPY OF OUR ANTHOLOGY

Sign up to our newsletter and get a FREE ebook of The Plaza Prizes Anthology.

Subscribe

* indicates required